Kacau

Terdapat beberapa perkara yang amat merunsingkan dua tiga hari ini. 

Ada yang merahsiakan rahsia, yang dia sendiri kini keliru antara realiti dan dunia yang diciptanya sendiri. Siapa kami untuk mempersoalkan, tahu. Tetapi ini hanya jika betul anda ingin tinggalkan noktah dan bukan tanda soal.

Dua, antara silence yang saya paling takuti, adalah sunyi yang bila mana ia percubaan segelintir orang yang berusaha keras untuk tidak bersuara. Ya, bisu tapi bising. Langau

Translate: In a way that I couldn't quite describe, it's that silence of people trying hard not to make any noise that kills.

Ego, ketiga. It is always nice to have something that they don't know. Yes Imma white little liar J. Because s/he both is a bit too clever, in my opinion. Too poised and polished. Feel good doing this. HAH take that beach

The story of my whispering wind

So today is April the 20th 

a very fine morning where the air is not so thick, not so running.  Every particle is doing a fine job circulating around each carrying stories of their own. Some are repelling one another, hitting so hard with their buddies. Well obviously that doesn't bother me at all until invisible line is being crossed left me with light tickles on  my arms caressing around my fingers while I'm typing this.

But outside it's pouring I bet they're skiing right now.  

Well that's why we always fall so helplessly when it rains. It is as tho 'the song' has been played. Ever so flawless and graceful, they touch and cuddle as they spin and toss. You know when its you who overpower the music, that's when dancing is hypnotizing.

And when it's raining if you just really reaaally look at it, you'll find it like as if the world is really spinning in tune with the beat. I think it's soft jazz and a bit of sexy ballad. Hee because I favor these two the most. Hm why? Because when I dance to this two these are the hardest moments for me not to fall for my partner.

The eye contact, the security of his holds. And when he travels I know he is giving his all and with him wanting more portraying that I am only his and goodbye kisses to all the other smoky eyes whose been peeking with envious stares and desirous longings. and the best part, All the sight of the world is locked into mine whilst he is seeing me like nobody can, we go wild and dirty as he breathes to my every skin leads my every move, he guards as he let go and pressed hard when we were meant to sway away.

And when it's dreamy and flowy that's when he would drop it a bit this part haha my man..just like the air outside whose slowly breezing and move with the wind. I wonder what is it that they wanna share this time. Seem unpredictable and stubborn.  Fluid first impression (:

Blinded by her own wants, please make me see

There are few rules which are meant to be broken -the b&wcraps and the rulesRULES- but only the chosen few with nerves, sights and knowledge will break the unbreakable ones.

So where do you wanna stand?

Oh well by that, where will YOU be able to stand

Perimeter and subject:

1. through which the story's human figures are transformed into pieces of architecture. 

2.exquisite craftsmanship.

3.for instance, if a book like Ulysses  had been "written" not with a typewriter but with a 3D printer, what sort of architectural world might result?

4. least one possible answer for how literature could be translated directly into urban and architectural space. 

Now reverse-engineer this: take a landscape garden somewhere or an accidental assemblage of parks, buildings, rivers, and home and interpret that setting as if it is literature. 

BACHmuch?  I thought you were the big dreamer, the realist but no i'm wrong you're still you

Blinded by your own thoughts

More candies 

PlastiCity-FantastiCity

Thomas Hillier was born and brought up in the always-sunny County of Dorset. In 2001 he began studying furniture design at Ravensbourne College in London, where after a year realised architecture was more fitting to his skills and in 2004 graduated with a 1st Class BA Honours. He later went on to study his Part II Diploma in Architecture at the Bartlett School of Architecture (UCL) under the tutorship of Professor CJ Lim and Bernd Felsinger. Here in 2008 Thomas received aDistinction in design for his project ‘The Emperor’s Castle’ a fantastical theatre of surreal spatial thresholds sited in Tokyo that used narrative as a vehicle to examine current day cultural and social issues within Japan. For this he won the Hamilton’s Prize for Best Design Process within the Bartlett Diploma and was nominated as its best graduating Diploma student for BD Magazines ‘Best of 2008’ annual awards.

Thomas’s work has won him a number of awards and he has been published on a variety of occasions in magazines such as Icon, Blueprint, Domus and recently as part of 'Bartlett Designs, Speculating with Architecture’ (Wiley publications). His work has been exhibited around the world including at the Wind Tunnel Gallery in California and notably in 2010 at the Royal Academy Summer Exhibition where he was awarded a High Commendation Award for best first time exhibitor. Thomas and his project ‘The Migration of Mel & Judith’ were featured on the BBC Culture Show Royal Academy Special where he explained the thinking process behind the ‘Lampshade’.Thomas recently won RMIT's open competition 'PlastiCity-FantastiCity' which was exhibited at the 1000£Bend gallery in Melbourne. His project along with the other winners is the main feature of publication Kerb18, PlastiCity-FantastiCityavailable on Amazon soon.

Thomas’s architectural interests go beyond the built environment to include art, design, story telling and installations with a particular interest in how literature can be directly translated into urban and architectural space. He attempts to look at architecture from a different perspective, using unorthodox narratives and programmes to create original and often surreal observations. These observations use innovative and poetic materials coupled with a technological and environmental understanding to enhance and blur the thresholds of spatial design. He is driven by a precise and meticulously crafted working method that is illustrated through drawings, models and assemblages. Most importantly he tries not to take architecture too seriously and aims for his work to be as humorous as it is serious, who says architecture cant be fun?

For more microscopic views please visit:

The Migration Of Mel And Judith By Thomas Hillier

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